Organised Sound is an international journal which focuses on the rapidly developing methods and issues arising from the use of technology in music today. It concentrates upon the impact which the application of technology is having upon music in a variety of genres including multimedia performance art sound sculpture and music ranging from popular idioms to experimental electroacoustic composition. It provides a unique forum for music scholars composers performers computer specialists mathematicians and engineers to share the results of their research as they affect musical issues. Most issues include articles relating to a specially selected theme as well as other articles and occasional tutorial articles on topics relevant to this exciting field. There is also a useful Announcements section which keeps readers abreast of points of note. An accompanying CD is sent to subscribers annually.
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